It would be impossible to completely examine all of these problems in just one particular article, so believe of this as an introduction. While Twitter can be utilised to crowdsource the news, where a large group of customers come with each other to report on a news event (Niles, 2007), this paper argues that the institutionally structured characteristics of micro-blogging are producing new types of journalism, representing one of the ways in which the Net is influencing journalism practices and, in addition, changing how journalism itself is defined.
Deuze (2004), p. 140) argues that the idea of multimedia in online journalism studies is generally understood in either of two approaches: (1) as a presentation of a news story package where two or much more media formats are utilized (e.g. text, audio, video, graphics and so forth.), or (two) as a distribution of a news story packaged through various media (e.g. newspaper, site, radio, tv and so forth.).
The typically critical attitude of Twitter customers towards the political establishment mirrors the strategy of news and political bloggers to political actors, practically a decade earlier, but the escalating adoption of Twitter as a communication tool by politicians, journalists, and each day customers alike makes a repetition of the polarisation experienced at that time seem unlikely.
News organizations would possibly rather employ specialized experts who create very valued content for a paying audience or distribute present affairs news to a mass audience so advertisers can pick up the bill, than make low-good quality, poorly produced content from digital sweat shops or news gathered by machines crawling the Planet Wide Net.
In some methods, news production right now is far more higher tech—there is nary a reporter in America who does not know how to tweet, blog, and use a flip video camera— but in other approaches it has regressed, with a lot more and more journalists operating like 1930s wire service reporters—or scurrying on what the Columbia Journalism Overview calls the hamster wheel” to make each and every day’s quota of increas- ingly superficial stories.43 They can describe the landscape, but they have less time to turn over rocks.